There are automated tools for generating placement and inspection programs, which help accelerate new product introductions.” These minimise stoppages, whether production involves frequent changeovers or large batches. “Also, there are many clever and time-saving features that automate tasks such as changing the printer stencil and loading component feeders. He goes on to highlight aspects that help present a persuasive offer for customers, including high placement performance in relation to mounter footprint that makes factories more space-efficient. Our connection with Yamaha is a big part of that value proposition.” “That’s where we make the difference, with our ability to supply and support the best assembly and test equipment in the market. They invest frequently to keep their capabilities at the cutting edge, and they need a fantastic return each time,” explains Sebastian Glitsch, General Manager of ANS. “Our customers need accuracy and flexibility in their surface-mount assembly lines, with high speed, and the ability to handle all the latest component technologies and package geometries. They include automotive electrification - with its current focuses on automated driving and power electronics - advanced industrial controls and connectivity leveraging Industry 4.0 technologies, and the latest communication and networking infrastructure including 5G wireless. With the advanced YR series for surface-mount assembly, Yamaha Robotics SMT Section and distributor ANS-Answer Elektronik are expecting further success in their long-standing partnership serving the high-tech community in Germany, Austria, and Switzerland.Įlectronics manufacturing in this region comprises OEMs and EMS businesses active in rapidly advancing, high-growth market sectors. I am sure Yamaha had no idea what they had started with the release of the SPX90, but many manufacturers chased after their success from that day forward with companies like Alesis and Roland seeking to emulate the enormous success of the Yamaha SPX90.Product innovation and investment in services are enabling and future-proofing Europe’s leading OEMs and assemblers This effect is a complex chorusing effect which is great for solo instruments, in particular guitar. The effect it is most revered for however is the Symphonic preset. Reverbs were pretty good for their time and certainly when used for a Portastudio demo or for snare reverb on a live band, they sounded great. While the effects were not the best of class, they were very usable. Home studios found the Yamaha SPX90 an indispensable tool too, it was the effects processor to have, unless you could afford the Lexicon PCM70 of course as the Lexicon was a more desirable brand purely because of their dominance in the big studios in the 1970s through to the 1980s. In truth, those PA systems of the day would usually have more than one SPX90 in their effects racks with each doing different effects. The Yamaha SPX90 was a mono in, stereo out effects processor that offered just about every effect you could ask for including reverb, delay, modulation effects such as chorus, flanging and phasing, as well as gates, compressors, vibrato and panning. That same year the equally legendary Lexicon PCM70 was released, but the Yamaha SPX90 was more affordable and found its way into just about every effects rack of every PA system of the day. The one that started it all, the Yamaha SPX90, introduced in 1985 it took the world by storm and cemented it’s place in effects processor history. The Evolution of Sony Signal Processors. Sony DASH Digital Audio Recording Format.
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